Tag: article
0 Adam’s Weekly Video Picks – Vol. 4
Volume 4 comes a bit later in the week than I would like (very busy week, no time to post until now), but it’s certainly worth the wait! This week, we’ll hear a fairy tale re-told in Shakespearean language, learn about what the internet is doing to our brains, find out what lengths people will go to for free gas, see a modern-day samurai cut through a speeding bullet and iron, and hear a great song Dan picked out for you. Onward!
1. The Three Little Pigs – John Branyan
I love this – I’m especially astounded by the numbers he gives in the beginning about our current average working vocabulary. I certainly hope I have a working vocabulary higher than 3000!
2. What the Internet is Doing to Our Brains – Epipheo.tv
Eye-opening, isn’t it? Dan found a browser extension that coincides nicely with this theme of de-cluttering and minimizing distractions; you can find it here: http://clea.nr/
3. Pumpcast News – The Tonight Show with Jay Leno
I’m not a huge Jay Leno fan and this video has a few more hits than those I like to post, but this is too great not too share.
4. Modern Samurai – Isao Machii
So it’s a BB, but that’s still super impressive – especially to a guy who has tried to block Nerf darts with a lightsaber. Quite the impressive weapon and wielder.
5. Flat Random Noise – Hurricane Dean
This is Dan’s song pick for you this week. Pretty catchy!
That’s it for now! Thanks for checking out this week’s video picks! More to come next week.
0 We’ve Opened Our Hearts to YouTube
First off, I’m going for the royal ‘we’ with the headline. Adam has been on-board since Buffering came to be. I recall discussions as we began put the show together, and I was incredibly stubborn about keeping YouTube out of our scope due to the large majority of crap, cat videos, and crappy cat videos, but I have learned.
Yes, the crap is still there, but there are legitimate production values driven toward YouTube viewers, and I’m here to provide those I have binged upon, thus far. In a way, I hope this becomes a discussion vector where you can also provide additional insight, but I’ll get the ball rolling.
And before I start my list, I thought it’d be worth-while to provide you with my context of “production value”, in terms of YouTube videos. I’m referring to the videos with sets and filming locations, with audio editors and camera operators. No videos filmed by someone talking to their webcam in their rumpus room. There are a number of artists on YouTube that produce said ‘living room’ style clips, but there is a burst of QUALITY videos that have hit the scene, and are freakin’ FREE, that you should check out. Seriously.
To start, I’ll mention a YouTube program that has made its way on to the podcast many a time: Nerdist presents All-Star Celebrity Bowling. It’s fun to mention this program specifically, as AMC is looking to produce the show on the real-deal televisions (read about it here). To me, this show (as well as the next program on my list) is fun and interesting because it holds a similar charm to those celebrity poker programs of the early 2000’s. It didn’t read like a reality show, where there’s unnecessary drama that is produced, but, instead, just one liners from every participant for the entire game. Picture that same vibe, but in a bowling alley predominantly populated by comics. It’s comedian Chris Hardwick, plus two to three of his Nerdist compatriots, paired up against movers and shakers in the entertainment biz, be thay celebrity chefs, or the casts and show runners, respectively, of “The Walking Dead” and “Mad Men”. The over-arching concept for the show is that one to two thousand bucks are on the line, where the challenging team will receive $1k (for a charity) from Nerdist if said challengers are defeated, but that same challenging team will win two grand for their charity if they win the match. It’s fun to see who is good, it’s hilarious to see recognizable figures bowl worse than you, and it’s all for a good cause. Win-Win … win. Check it out.
My next program follows that ‘celebrity acting candidly during a relatable activity’ flow, but uproots the venue from the bowling alley to the fictitious basement/game room of Wil Wheaton. That’s right. I’m talking about TableTop, produced by Geek & Sundry (Felicia Day’s channel). My friends and I are getting back into board games, with a lot of credit going to this program. Buffering guest Connor Boran was my infection vector to Ticket to Ride and Elder Sign, as well as to TableTop. Since watching (and repetitively re-watching) each episode, I have purchased two games featured on the program (Dixit & Small World [for the iPad]), which gives a bit of credibility to the level of quality when it comes to featured games, and the variety of guests gives it a hearty re-watch value. It’s a mess of Wheaton’s friends from the worlds of Internet video, TV, movies, music, and nerdery. And don’t worry if you don’t know how the games work. Time is dedicated in each episode to give the gist of the rules. Definitely check it out.
To change gears, my next YouTube feature is a scripted comedy program, produced by Cracked. Yes, the magazine that runs in the same circles as MAD. But before you shun me and skip this paragraph, they’ve really stepped up their game to become a near-‘CollegeHumor.com at its peak’ site. Nerdy, funny, and in snippets rather than long-format. After Hours is a four-character adaptation on the “Star Wars/Contractor” conversation from “Clerks”, if that off-beat approach comparing pop culture to reality was applied to additional nerdy topics, such as the Sexism in Star Wars, why Indiana Jones Sucked at his Job, why “Back To The Future” is a REALLY creepy movie, and more. The four characters impart a number of viewpoints on each topic upon viewers (like how I learned that “Sex in the City” is the “Teenage Mutant Ninja Turtles” for women), combined with somewhat stereotypical mannerisms relating to said character (jock, nerd, screwball, and “the girl”). That last part sounds like it’s a slam against the show’s approach, but it really does work. The quirks aren’t heavy-handed, and balance well as breathers between each argument. Check it out.
Finally, we end our tour with a bit o’ music. It’s A.V. Club’s Undercover Project, the two-year-old YouTube program that features musicians stopping by The Onion‘s Chicago offices to perform in a small circular room in the A.V. Club department. The catch is that they are playing covers of songs suggested by A.V Club readers, so, through this program, you’ll see The Polyphonic Spree playing Neil Young’s “Heart of Gold”, They Might Be Giants playing Chumbawamba’s “Tubthumper”, and Young the Giant playing R. Kelly’s “Ignition (Remix)” and so many more. I’ve found it to be somewhat hit and miss, as you’ll see when you check out GWAR’s cover of Kansas’s “Carry On My Wayward Son”. There are also plenty of reinterpretations when it comes to executing some of the songs, so it’s good to watch videos with a grain of salt, as you may go in expecting a perfect rendition of a familiar/favorite song and walk away crushed. But, it’s still definitely worth your time. Check it out.
I’ll continue to search for quality programming within the muck of YouTube, and I’ll report back with more in the future.
0 From The Basement: Polished, Honest, Intimate Music Performance
Not long ago, I stumbled upon a video of Gnarls Barkley singing a down-tempo, mellowed-out version of Crazy. It was so heartfelt and intimate – the version showed me a side of the song I hadn’t seen before. That was when From the Basement first got my attention. When I discovered the long, impressive list of artists who have already been on the show (Radiohead, The White Stripes, Foster the People, The Raconteurs, Red Hot Chili Peppers, Feist, The Shins, Andrew Bird, Fleet Foxes – I would love to go on), I became a believer.
For music lovers who enjoy live or acoustic versions of songs, there are several different sources producing great versions of our favorite tracks. NPR has their studio sessions, Big Ugly Yellow Couch provides performances by up-and-coming bands, and so on. From the Basement started as a podcast, but grew up quickly into a TV show streaming on Crackle and DirecTV’s 3-D channel 3net.
Nigel Godrich, the visionary music producer most famous for his work with Radiohead, takes the helm in this endeavor. Since its humble beginnings in 2006, transition into a UK Television show in 2007, and on into the present where season 3 is being broadcast in HD in 2-D and 3-D, Godrich’s intent has been to “authentically document the pulse of music being made today.” In a recent interview with Entertainment weekly, Godrich says, “I think what happened was MTV came along in the ’80s and destroyed the way that people film music on television. The performance ended up in the edit, and it wasn’t very direct. It’s a selfish thing, really—as a music fan, I really wanted to see people performing on television, so we went ahead and did it. Musicians hate doing TV because it’s such a different world and a horrible environment for them, so wouldn’t it be cool for me as a music person to do a TV show? Then I could get something out of them that TV shows wouldn’t get.” To that end, Godrich uses an intimate basement setting with no audience (except a few HD cameras), making the artists as comfortable as possible to get the best, purest performance possible.
It’s like PBS’s Austin City Limits, but better.
The thing I appreciate most about From the Basement is that it displays the great musicianship of the artists in a way that hyper-produced studio recordings and blasting live performances cannot. You get to hear and see in stunning detail just how soulful a singer Cee-Lo is, or how beautifully blended Fleet Foxes’ harmonies really are. There’s no Auto-Tune, no backup tracks, and absolutely no lip-syncing – just pure performance chops at work. From the Basement is quality proof that there are wonderfully talented artists making great music today.
0 Redbox Instant: All the hype with none of the calories … I mean, content
Through multiple press releases and interviews in 2012’s third and fourth quarters (July-December for you non-business folks), a number of high-ranking executives for Verizon and Coinstar (owner of Redbox) state that the Redbox Instant service, currently in customer BETA testing, would focus on quality over quantity.
“Do you really need 100,000 titles? I mean, really,” said Paul Davis, CEO of Coinstar.
As I wade through the RB Instant library, I’m glad Davis stuck to his word, offering such featured titles as “Soccer Nanny (unrated)”, “Demonic Toys 2”, and “Biebermania”. Upon further investigation into the library, which will be available to subscribers for $8 per month, I discovered the well-honed tastes of Davis and others comes out in spades with a plethora of B-, C-, and even D-list thriller and horror titles, with little else to distract viewers.
Alright. I jest. I have no idea of that which Davis calls quality entertainment. However, based on that which has been made readily available during this BETA test, it’s hard to imagine that RB Instant will pose any sort of threat to Netflix, Amazon Prime, or Hulu (especially since Redbox currently has no plans to add TV shows to its concoction).
The service does offer a few recognizable titles (using “few” in its strictest definition), including “Thor”, “Transformers: Dark of the Moon”, “Rango”, and the recent remake of “True Grit”. Sadly, (and I’m being 100 percent sincere about this) beyond those four films, there are only a handful of additional movies that I recognize. Plus, all four listed above are already available on Netflix AND Amazon Prime.
Before I rag on this service TOO much, there are two additional tiers to the RB Instant account: monthly Redbox kiosk credits, and the ability to pay-to-rent and/or purchase videos electronically.
First, the RB Instant subscription, as I’ve stated before, runs you $8 per month and includes four DVD rental credits to be used at any Redbox kiosk. At roughly $1.20 per DVD (plus tax), you’re technically investing more than half of that $8 on DVD rentals, while throwing $3.20 at the subscription service, which actually starts to explain the quality of films available for streaming. The RB Instant site really hammers it home that you will receive four free DVD rentals, which means you will most likely experience an additional charge if you opt for Blu-rays (usually about $1.50 at the kiosk).
From afar, this piece of the puzzle seems appealing, as everyone likes getting something for nothing. However, at its core, it is a contradiction to the service’s name: Redbox INSTANT. Through most of my Redbox kiosk experiences, very little has ever been instant. Limited and/or poor selections at my nearby locations, not to mention long lines, have deterred me multiple times from using the service spontaneously; in my world of movie consumption, pre-selecting and reserving a movie is like picking a restaurant for dinner at 12:30 PM. I really don’t know what I want until I’m hungry. That’s why I already ditched the Netflix DVD delivery service. I have yet to utilize the four credits bestowed upon me, but as you can probably understand, I’m hesitant. I’ll give it the ol’ college try this week and will give an update IF my experience differs from the norm.
The remaining feature is the ability to purchase or pay-to-rent films electronically. This service is not available on Netflix, but has been a part of Amazon Prime since its release and is also a large part of the Apple iTunes store experience.
The renting aspect is fairly straightforward: I would pay $X amount for a film, either in standard- or high-definition, and then I can watch it when I want within a 30-day window. As soon as I start to watch it, I have 48 hours to complete it as many times as I want. Standard stuff. However, there is little to no documentation as to the purchase process. From the looks of it, I’m not even sure the movie is technically downloaded. I believe, if I’m reading the site correctly, that it just goes into my RB Instant library, and can only be viewed with an Internet connection. Not much of a selling point there.
I also reviewed pricing, and found RB Instant tends to charge MORE for both rentals and purchases. I picked a few titles at random (“Ted”, “The Amazing Spider-Man”, and “Juan of the Dead” [yes, it’s a real movie]), and here’s what I found:
Across the board, RB Instant is more expensive than Amazon Prime and iTunes. In some cases, it is cheaper to rent or purchase the HD version from either Amazon Prime or iTunes versus the SD version via RB Instant. No points awarded there.
Before I wrap things up, I know some folks out there will want to know about the user interface, as the ease of use is a big part of the streaming game. Here’s my take: it isn’t bad, but there’s nothing new there. I tested the web site, as well as the iOS app, and I found nothing special about it. It comes across as cluttered, like most streaming sites, and includes the hover-over for cryptic descriptions.
I did find one major fault to the site that rubbed me the wrong way. Every time I performed a search query for a new movie, multiple entries for said movie would pop up, forcing me to sift between the physical, Redbox kiosk copy, and the digital copy, which was usually buried beneath the former. On some occasions, I had to run multiple attempts to locate that which I sought. As the search occurred on the Instant site, I had hoped (and assumed) that the digital copy would trump the physical.
Also, you cannot purchase or pay-to-rent movies on the iOS app. A lot of people will see value in that, so to prevent unintentional pocket purchases, but it stinks if you’re on the road, or out and about and want to watch something new. It’s a nit-picky issue, but it’s something that can be completed elsewhere through alternate services.
Based on the hype surrounding the service, as well as statements provided by leadership leading up to the release, I had high expectations for this service, and RB Instant has fallen short. Buffering does not yet have an in-house rating system, but RB Instant has set the bar for how low it can go. The most positive thing I can say about RB Instant right now is that the first month is free, and it includes the four DVD credits. However, I am setting a reminder on my calendar to cancel my subscription the day before my month is up, because I have no want or need to keep it.
My recommendation to you is to exploit the loophole, get four free rentals, and cancel it too. Otherwise, it is not worth your time. Most, if not all, of its library and features are available elsewhere.
0 Disney’s exclusive deal with Netflix
Netflix has returned from another content hunt with massive bounty as the result of a huge bidding war. They have locked in an exclusive streaming contract with Disney for a large catalog of content, including movies from Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, and Disneynature, according to CNN Money.
The catch? Netflix users won’t see a lot of this content until 2016, when Disney’s current agreement with Starz (a la Sony) expires.
This reads a lot like the deal between Netflix and Dreamworks to post their computer animated library by 2013. It’s also mirroring that deal, as Disney has already provided Netflix with some recognizable and notable content, including “Alice in Wonderland”, “Pocahontas” and “Dumbo”, to name a few.
The deal also includes many sequel-heavy series, like the “Air Bud” sequels, and the “Brave Little Toaster” sequels, but not their originals.
A big piece of this agreement is that it yanks a lot of future content out of the hands of premium cable TV channels like HBO, Showtime and Starz, as they lose access to new Disney/Marvel/Pixar content released after 2016 that would usually linger on their channels between each film’s exit from the theater, but before they hit DVD/Blu-ray. It also blocks streaming sites like Amazon Prime and Crackle from access to the content as well.
It’s nice to see Netflix experiencing success through this agreement (including a recent rise in the company’s stock), but there will still be the gaggles of nay-sayers uninterested in waiting four years for the overall payoff.
At the same time, there are speculators wondering how this will affect Disney’s recently acquired gold-mine of the Star Wars universe. Although LucasFilm was not listed among the content providers (as far as I have seen), the release of Episode 7 in 2015 may lay the groundwork for future negotiations and deals to continue to feed us desired content.
I am, personally, among those excited now, as two of my childhood Disney favorites, “The Great Mouse Detective” and “The Rescuers Down Under” are among the titles already available on Netflix. The fact that the voice talents of Bob Newhart, Eva Gabor, John Candy, and Vincent Price are just a click away makes me wish I wasn’t at work so I could start a Disney binge right now.
Still, there are a number of additional Netflix releases to look forward to this month, as we’ve discussed on the show before, including “ParaNorman”, “Looper” and “The Campaign”. All three of these will be on Netflix around Christmas or New Years, according to movieinsider.com.
Looks like we have at least 1,121 days until we will reap the benefits of this deal, but we’ll keep an eye on things here in the Wheels Brewing Co Studio.
0 Soundtrack your life with Songza
Originally, the article was going to include a sub-title: “Why don’t you have Songza yet?”, because, really, why don’t you have Songza yet?
During a conversation in Episode 62, Matt Walstead mentioned that he was using Songza (www.songza.com) as one of his recent primary streaming services, and based on his description, I decided to investigate.
I had mentioned Songza on the show before, from a news story long past (most likely a launch story, or something of the like), but I had never played around with the iPhone app or the web site.
It’s AMAZING. It’s what a song discovery service SHOULD be. It’s the contextualizing of music into the rest of your life, based on “Playlists by Music Experts”, as the site claims, and, honestly, they are not giving the playlist generators enough credit.
For example, there are SEVEN different ways you access these playlists, including lists based on Genre, Activities, Moods, Decades, and Culture. After messing around with this app, I’ve determined my favorite playlist group is aptly named Record-Store Clerk, as its suggestions of playlist sub-groups include “Dance Music That’s Not Assaultive”, “Indie Music That’s Not Too Weird”, “Mustache Music (Or: Cool In The ’70s)”, and “This Will Piss Your Parents Off”. It really is that organization of music that you expect to find in the hipper realms of metropolitan areas, in the mostly deserted record shop where the staff knows exactly what you’re looking for, based on the two notes stuck in your head.
ON TOP OF THAT, there’s MORE. I know what you’re thinking: “But Dan, there are TOO many features already. This is too good to be true.” And you would be wrong, generic infomercial seeded audience member. For there’s the Concierge service. Based on time of day, with a dash of societal paradigms, the Concierge service will suggest genres FOR you. For example, I am writing this on a Friday night, and the Concierge is offering me the following options: “Bedtime”, “A Sweaty Dance Party”, “Pre-Gaming with Friends”, “Putting on Your Party Dress”, “Creating a Cool Atmosphere”, and “Unwinding”. Seeing as I already have my Party Dress on, in a manner of speaking, I went with the Cool Atmosphere one, and, as a result, it is narrowing down the tunes I should listen to into ANOTHER six categories, this time based on genre.
I spent the work day today bombing through the multitudes of dubstep available, to give it an honest chance, and I was really impressed by the volumes of music available in these playlists. But that’s the catch that I’ve mentioned a number of times: it’s a pre-set collection of playlists. You don’t experience the flexibility of Pandora’s lists, or the “control EXACTLY what you want to hear” of Spotify, but when used properly, it fits comfortably into most situations.
Like most streaming music sites these days, there is a social media aspect included, where everyone on Facebook knows you’re listening to the “Cry Yourself to Sleep” playlist, unless you disable the feature. It isn’t as invasive as Spotify’s “POST EVERY TRACK” setting, but it’s also not a feature I’d actively seek out.
There are also a few extra clock-related features, where you can set a specific playlist to start playing as an alarm at a certain time, and the ability to play music while displaying the app’s built in clock, but they aren’t anything to write home about. I imagine you could go through the Concierge service (which you can also set different days of the weeks, and times of day, kind of like looking at future traffic on Google Maps) and set certain appropriate playlists to pop up when you expect to be commuting to work, or doing housework, or what have you.
Right. So it’s great, right? Now let’s get down to brass tack. It’s available for iPhone, Android, Kindle, and computers for free (with clickable, but not audible, ads). So far, I’ve played with the iPhone app and the web site, and the user interface is nice. Not too complicated to navigate; not to noisy to sift through. “Nice” is really the most appropriate word for it. It also has the Pandora “You’ve Skipped Too Many Tracks For Now, But If You Switch Over To Another Playlist, You Can Keep Skipping” license restrictions, but with the number of playlists available, this shouldn’t hold you back.
I don’t think it’ll replace my iCloud use, or the occasional Spotify use, but I do think this may replace Pandora in my eyes, at least until I exhaust the playlists I am actually interested in hearing. I say it’s worth checking out to see how well the Concierge matches your moods, and to laugh at some of the playlists and categories. It’s not like it’ll cost you anything. I’m with the folks on the Apple App Store: 5 Stars for this one.
0 Netflix Max: The cure for our indecisiveness?
Have you ever had a time when you’re on Netflix and you can’t decide what to watch? It’s terrible, isn’t it?! You’re faced with a rather large library with plenty of perfectly acceptable TV and movie options to entertain you for a while, but first you have to pick one, and that requires making a decision and you’re feeling so “meh” that nothing is jumping out at you. Well, fear not – Max is here to save the day (maybe)!
Netflix’s Max service is an interactive game that uses several methods to help the viewer decide what to watch. With a style and attitude very much like the “You Don’t Know Jack” series complete with a snappy, idiosyncratic announcer and musical interludes, Max asks you to pick a genre and then rate movies in that genre that you may or may not have seen. After rating several movies, Max makes a recommendation. If you decline that option, Max will try something else to help you pick. Since its release, several new ways to play have been added to mix things up and add to the experience, such as picking a specific actor to find movies/TV for. Max also makes use of Netflix’s algorithms to find recommendations based on the ratings the user has given shows in the past. Max has been around for a few months now, available on the Playstation 3 platform (no word on if it’s coming out for other devices yet).
Tonight, I fired up Netflix Max and played “One Simple Question”: Max had me choose impulsively between suburban dysfunction or detectives. I chose detectives and it recommended, much to my chagrin, “Murder, She Wrote.” After Max’s 30-second pitch (not available for all titles) describing the merits of the show, I decided to give it a try. Forty-five minutes later, Angela Lansbury had won me over and I was seriously considering watching the next episode in spite of my previous reservations. Max won me over in this case, and this wasn’t the first time. Max and my own curiosity have led me to watch quite a few things I loved (if you haven’t watched “Black Books” yet, get on it), but probably would never have found out about otherwise. In that regard, Max is very good for separating the wheat from the chaff. Max doesn’t always get it right, though. There have been occasions when none of the recommendations have sounded appealing – at that point, Max says, “Thank you for playing!” and that’s the end of it.
Overall, even if it’s not always effective at recommending something to watch, Netflix Max is quite entertaining in itself. With further development and a presence on other platforms, Max has the potential to be a lot of fun and hopefully relieve us all of our streaming media indecision.
0 A&E titles disappear from Netflix
According to The Hollywood Reporter, “In all, about 800 hours of content is gone from A&E as well as its History channel, while 300 hours remain, at least until an agreement expires in about the middle of next year.” This means you’re losing “Hoarders”, “American Pickers”, “Pawn Stars”, and “Storage Wars”, among others, from Netflix Instant Streaming. Netflix and A&E are still reportedly in talks, and may potentially come to an agreement, but nothing is certain yet.
Thanks to boosted consumption of TV shows through streaming media content providers like Netflix and Hulu, it’s hard to forecast how partnerships between networks and providers will evolve. The AMC Network has been at war with DISH TV for more than two months now, leaving viewers without award-winning shows like “Mad Men” and “Breaking Bad”, and there doesn’t seem to be a light at the end of the tunnel there, but, at the same time, AMC’s simultaneous $2.4 billion lawsuit against DISH may also be playing a large role in that agreement.
The Hollywood Reporter also mentions that the price tag isn’t necessarily completely to blame in halting A&E’s content on Netflix. THR’s unnamed sources say Netflix is seeking exclusivity for content, though it does not mention that which was included in Netflix’s proposition. After a few searches, I found a majority of A&E’s popular content available on Hulu, as well as for sale on iTunes and Amazon Instant Video, (plus full episodes available on A&E’s web site) so I can understand A&E’s concern with dropping multiple avenues of income.
I know that I have professed my appreciation for “Storage Wars” on a few of our episodes, but I’m not feeling a whole lot of emptiness from this loss. Yes, it’s bad news due to a level of inconvenience, but I just listed off a number of additional sources above (A&E’s web site and Hulu have full episodes posted for free) where you can find it. Plus, if you have yet to cut the cord from cable or satellite, they syndicate the Hell out of some of those shows, so you can just turn on the TV and play ‘A&E Roulette’.
I have no ill will for the programming A&E offers, but I see it as a great deal of guilty pleasure TV and filler TV. Why do people watch “Hoarders”? To make themselves feel better about themselves. That pile of dishes in the sink is NOTHING compared to this lady on “Hoarders”. Why do people watch “Pawn Stars”, “American Pickers” and “Storage Wars”? To make people think their old junk is worth some serious coin, turning them into hoarders, and generating additional subjects for “Hoarders”. That, or to create an “Antiques Roadshow” for an EXTREME generation. All I’m saying is I don’t see the loss of A&E’s content as a deal breaker between myself and Netflix.
In the grand scheme of things, not a lot of people are without A&E access, if you’re hankering for a fix … as long as you’re not using a gaming device without Internet browsing. Otherwise, you’re fine. And in case you’re wondering, yes, videos hosted on A&E’s web site work on both Android and iOS mobile devices.
0 Qwikster and the future of Netflix
I guess we told you so.
We talked about how Netflix would split up its streaming and DVD & Blu-ray distribution, but I guess it is here faster than we expected. If you haven’t seen it yet, Reed Hastings, CEO & co-founder of Netflix, posted a YouTube video apologizing for Netflix’s price hike, letting everyone know that Netflix would be splitting into two companies, where one would focus on Instant Streaming (Netflix) and the other would focus on disc-based entertainment distribution (Qwikster).
On top of this announcement, Qwikster CEO Andy Rendich let everyone know that Qwikster would also start to include Xbox360, PlayStation 3, and Wii game rentals at an additional price, much like the Blu-ray pricing.
No pricing has been released so far, but we’ll keep you up to date as we learn all that we can.
This announcement can be found at the link below:
The Buffering Podcast 